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Online Art Mini Lesson 4
Basic Color Theory
The Color Wheel:
Let's start with the color wheel and "cool" and "warm colors":

The left side of the wheel is has "warm colors and the right side "cool
colors"- Why are they warm and cool? what makes them warm or cool?
The answer is psychological association.
We associate reds and oranges and yellows with fire, flames and the sun - these
give off warmth.
We associate blues and greens with ice, snow, sky and grass - these are cool
things.
This very simple explanation will do for this FREE Art Lesson on color theory
and color phase.
Color Phase:
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Without getting into the scientific explanations of "color
temperature" and "color temperature" and the complexities
of "warm cool colors and "cool warm colors" which will
be addressed in the full paid Art Lessons.
The concept of color phasing is that in nature - the further away from
the viewer of a scene objects get, they get cooler and lighter and have
less contrast. The opposite is true incrementally: the closer to the viewer's
eye any object in a scene is, the warmer in color, stronger in contrast
an richer in color they become. |
How does this apply to a painting? Like this:

In the painting above,
see how the hills become cooler (bluer) and lighter as they get further away
from our eye. Also notice that the foreground is more detailed and has greater
contrast (between light and dark colors in say the trees). All of this helps
enhance the reality and depth of the painting.
Back to color phasing
(and "atmospheric perspective"):

Here I have superimposed the color phase chips over the landscape. To use color
phasing optimally, let's add a couple of buildings to the painting:

I placed a RED building in the foreground BECAUSE of color phasing. Since RED
is a WARM and ADVANCING color, the red building placed in the foreground and
the blue one towards the back REINFORCES the depth and apparent drama and reality
of the landscape.
What happens if we do the opposite? It looks less real.

Can you have blue things in the foreground and red in the distance - yes, but
that takes more subtle and skillful painting and experience. The foreground
blue would have to be "warmer" and the distant red "cooler".
We'll take that up in your full course.
To sign up for the course, click here.
© 2009 Barry Waldman
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